Using the spectrum to theorise apparent oppositions in creative writing doctorates

McKenzie, V. (2012). Using the spectrum to theorise apparent oppositions in creative writing doctorates. In D. Hecq (Ed.), The Creativity Market: Creative writing in the 21st century (pp. 148-162).  Bristol, UK: Multilingual Matters. The questions raised by placing creative research within an academic context that 

Agent Provocateur

McKenzie, V. (2011). Agent Provocateur. <proximity> contact improvisation, new dance, movement improvisation 14(3), 4-7). Republished (2012) <proximity> contact improvisation, new dance, movement improvisation 15(1), 27-30. This is the major textual work to document Felix Ruckert’s 2011 Australian visit in which he offered workshops for Xplore 

Fool Asleep

McKenzie, Vahri (2012). Fool Asleep play script, Fringe World Festival 2012. Perth, Australia: The Treasury. A one-act play that used spoken text with original video and dance to present the complex relationship between a subject of a sleeping disorder and an examining sleep scientist. The 

Enter Jamspace

McKenzie, V. (2008). Enter jamspace. Adbusters Journal of the Mental Environment 80. Article about the fourth annual Australian Contact Improvisation Convergence in Mullumbimby, June 2008, including an interview with leading Australian dancer Jacob Lehrer.

What is the collective noun for contact improvisers?

McKenzie, V. (2008). What is the collective noun for contact improvisers? <proximity> contact improvisation, new dance, movement improvisation 11(3). In June 2008, the fourth annual Australian Contact Improvisation Convergence took place in the Byron Bay area of New South Wales. Seventy people from across Australia