All the Time, 3:42: Collaborative encounters with the mundane.

Villanueva Dela Cruz, E.; Dyson, G.; Gaspar, R.; Goudouna, S.; Haines, T.; Laine, E.; Larson, B.; McKenzie, V.; Ortuzar, J.; Ranwalage, S.; Tzakou, A. & Wan, E. (2024). Everywhere, All the Time, 3:42: Collaborative encounters with the mundane.  Performance Research 28 (4): On the Mundane. 

Careful and Curious: A Transformative Ethos for Artistic Evaluation

McKenzie, V.; Thwaites, D. & Hope, C. (2023). Careful and Curious: A Transformative Ethos for Artistic Evaluation. Performance Paradigm 18: The Art of Subsidy / The Subsidy of Art, 128-148. This article offers a conceptual discussion and illustrative example of how more open and exploratory 

“Kind regards”: Negotiating connection to Country and place through collective storying

Somerville, W.; McKenzie, V.; Fuller, L.; Godden, N.; Harrison, A.; Isaacs-Guthridge, R. & Turner, B. (2023). “Kind regards”: Negotiating connection to Country and place through collective storying. Australian Journal of Environmental Education 39(3), 1–13. doi:10.1017/aee.2023.24 Within this paper we explore the process and outcomes of 

Re-enactment as Conversation: Yoshiko Shimada’s Becoming a Statue of a Japanese Comfort Woman

McKenzie, V. and Webb, J. (2023). Re-enactment as Conversation: Yoshiko Shimada’s Becoming a Statue of a Japanese Comfort Woman. In Frederick, U.K., Harrison, A., Ireland, T., & Magee, J. M. (eds.), Difficult Conversations. British Council. Yoshiko Shimada is a contemporary artist immersed in difficult conversations. 

Between freedom and control: A chorus-centred Bakkhai for community ensemble

McKenzie, V. (2022). Between freedom and control: A chorus-centred Bakkhai for community ensemble, Australasian Drama Studies 80, 253-277. In addition to capturing the heart of the mythological story, the tension between freedom and control explored so vividly in Euripides’ ‘Bakkhai’ can resonate in the creative