McKenzie, V. (2016). Entering the regional scene with a contemporary Lysistrata. In Rebecca Scollen and Michael Smalley (eds.) Resilience: revive, restore, reconnect: Australasian Association for Theatre, Drama and Performance Studies 2016 Conference Proceedings, Volume 1 (pp. 57-69). University of Southern Queensland, Artsworx, Toowoomba, Australia. How …
McKenzie, V. (2014). Underscore Alchemy: Extending the Underscore for creative artists. Journal of Dance and Somatic Practices 6(2), 159-173. Underscore Alchemy is a research project designed to investigate how artists from disciplines outside the performing arts might engage with Nancy Stark Smith’s collaborative improvisation model, …
McKenzie, V. (2014). Extending Underscore Alchemy. Brolga: An Australian journal about dance 39, December 2014, 35-42. ‘Underscore Alchemy’ is a research project designed to investigate how artists from disciplines outside the performing arts might engage with Nancy Stark Smith’s collaborative improvisation model, the Underscore. As …
McKenzie, V. (2012). Using the spectrum to theorise apparent oppositions in creative writing doctorates. In D. Hecq (Ed.), The Creativity Market: Creative writing in the 21st century (pp. 148-162). Bristol, UK: Multilingual Matters. The questions raised by placing creative research within an academic context that …
McKenzie, V. (2008). As the owl discreet: Essay towards a conversation and Carly’s Dance a novel [unpublished PhD thesis]. This thesis comprises a novel entitled Carly’s Dance and an essay entitled As the Owl Discreet. Although separate works, a line runs through them that might be …