I shine not burn

McKenzie, V. (2013). I shine not burn. In R. Rossiter (Ed.), Knitting and other stories (pp. 92-102). Witchcliffe, Australia: Margaret River Press. Autofictional family history that creates an authentic narrative voice, performing careful work along the fine line between life writing and creative writing. Themes include 

Complications

McKenzie, V. (2011). Complications. dot dot dash 7, 56-58. ‘Complications’ plays with the several meanings of the word to investigate unstable identity in the modern subject. With privileged access to interiority and psychology that is akin to thought, this fiction directly engages with mistaken identity 

Love You, Stranger

McKenzie, Vahri (2019). Love You, Stranger performance text, BANG! BANG! Perth, Australia: The Blue Room Theatre. A performance text about the true crime stories of three Australian women accompanying a work of contemporary dance choreographed by Shona Erskine. It explores the social and cultural attitudes 

The Other Writing Group

McKenzie, Vahri (2019). The Other Writing Group: an embodied workshop, TEXT Special Issue 57: Peripheral Visions. New insights and approaches to creative activity grounded in embodiment have the potential to enhance creative writing practices by focusing on the embodied dimensions of writing, such as undertaking 

Bakkhai: Freedom and Control

McKenzie, Vahri. (2018). Bakkhai: Freedom and Control Curatorial Essay. Bunbury, WA: Maker + Co and Edith Cowan University. An exhibition of work developed for BREC’s 2018 stage show seen in a gallery context that illustrates the collective creativity of the artists, all graduates of ECU’s