“Kind regards”: Negotiating connection to Country and place through collective storying

Somerville, W.; McKenzie, V.; Fuller, L.; Godden, N.; Harrison, A.; Isaacs-Guthridge, R. & Turner, B. (2023). “Kind regards”: Negotiating connection to Country and place through collective storying. Australian Journal of Environmental Education 39(3), 1–13. doi:10.1017/aee.2023.24 Within this paper we explore the process and outcomes of 

I THINK THINGS ARE PRECIOUS

McKenzie, Vahri. (2023). I think things are precious. Axon: Creative Explorations Text|Page|Art 13 (1). DOI: 10.54375/001/k4vz5gp93t A work of expanded short fiction that tells a story about a kid set the task of writing one hundred lines as a punishment. It responds to Emmett Williams’s 

Re-enactment as Conversation: Yoshiko Shimada’s Becoming a Statue of a Japanese Comfort Woman

McKenzie, V. and Webb, J. (2023). Re-enactment as Conversation: Yoshiko Shimada’s Becoming a Statue of a Japanese Comfort Woman. In Frederick, U.K., Harrison, A., Ireland, T., & Magee, J. M. (eds.), Difficult Conversations. British Council. Yoshiko Shimada is a contemporary artist immersed in difficult conversations. 

Creative Recovery and Resilience essays

In a collection of 9 essays edited by Vahri McKenzie for artsACT’s Creative Recovery and Resilience Forum Writers-in-Residence Simone Penkethman, Jacqui Malins and Barrina South reflect on the themes and concerns emerging from Forum activities. Simone Penkethman’s response to Keeping it Together, Keeping it Together… 

Temporary assembly amidst change

McKenzie, V. (2022). Temporary assembly amidst change, UPENDING | MENDING: Catalogue of the Twenty-eighth Faculty of Arts & Design Staff Art Exhibition, National Library of Australia. Fires, floods and bugs sweep the country and creatives are exhorted to recover, to build resilience, to resume our